In 2017, Jarvis Cocker conducted two interviews with Scott Walker for his BBC Radio 6 Music show, Jarvis Cocker’s Sunday Service. Listen to both interviews here.

Speaking to Tom Doyle for Sound on Sound Magazine in 2010, Scott Walker and co-producer Peter Walsh discuss their decades-long collaboration in detail.

Walker’s notes on his 2012 online film season for Curzon On Demand, and a 2007 interview with The Independent about his favourite films.

Walker picks his favourite music on Fontana boss' David Bates XFM show, and Bates on signing Walker and releasing Tilt

In conversation with Stephen Kijak, Sharp discusses signing Walker to 4AD before his 2006 album, The Drift, and reflects on Walker’s music, broader life and work.

4AD's A&R boss on bringing Walker into the world of Kim Deal, Beirut and Bon Iver, and Walker's legacy at the label

Artangel Co-Director Michael Morris discusses his work with Scott Walker, including The Margate Exodus and Drifting and Tilting, with Stephen Kijak.

Singer-songwriter Richard Hawley reflects on his friendship with Scott and how he inherited Walker’s worn Telecaster guitar, which he repaired and used on his 2024 album, In This City They Call You Love.

On the 4AD Forages podcast, Peter Walsh and Sunn O)))’s Stephen O’Malley speak about Soused, a collaborative album between Scott Walker and Sunn O))).

Speaking to Peter Walsh, trumpeter Mark Isham on working with Walker in 1984, sampling, looping and synthesisers, and Walker’s emotional storytelling.

All you had to do was plug John in and he sounded incredible, producing a deep, rich tone and the kind of precision playing that made recording effortless

Pedal steel player BJ Cole recalls working with Walker on his country-inspired 1970s albums Stretch and We Had It All, and the Walker Brothers’ No Regrets.

Walker’s musical director Mark Warman speaks to percussionist Alasdair Malloy about Walker’s meticulous preparations, performing Walker’s music live, and punching pork,

The composer, bandleader and trumpeter speaks to producer Peter Walsh about Walker’s Royal Opera House commission, Duet For One Voice, and their work together on Bish Bosch and Soused.

After working on Tricky’s Maxinquaye, guitarist James Stevenson worked on Scott Walker’s Tilt, The Drift and Bish Bosch. He discusses Walker’s approach to sound, tuning Fender basses in semitones, and more with producer Peter Walsh.

Producer Peter Walsh in conversation with guitarist Hugh Burns, performer on Jack Bruce’s How’s Tricks album, Gerry Rafferty’s Baker Street and George Michael’s Careless Whisper, on working with Walker from 1995, and discovering his unique approach to the studio.

Gascoigne remembers Walker's curious ear, and love of "the contrast of opposites" on Climate Of Hunter, Tilt and The Drift

Walker’s musical director Mark Warman talks to Michael Laird about playing the kudu, the antelope horn used as a shofar in Jewish ritual ceremonies, on SDSS1416+13B (Zercon, A Flagpole Sitter).

Working on Drifting and Tilting and the score for The Childhood of a Leader, cellist Frank Schaefer remembers working with Scott Walker, with musical director Mark Warman.

Leading the orchestra on the scores for Childhood of A Leader and Vox Lux, and working on Drift and Bish Bosch, Paul Willey speaks to Mark Warman about Walker’s unique style and vision.