On the 4AD Forages podcast, Peter Walsh and Sunn O)))’s Stephen O’Malley speak about Soused, a collaborative album between Scott Walker and Sunn O))).

Speaking to Peter Walsh, trumpeter Mark Isham on working with Walker in 1984, sampling, looping and synthesisers, and Walker’s emotional storytelling.

All you had to do was plug John in and he sounded incredible, producing a deep, rich tone and the kind of precision playing that made recording effortless

Pedal steel player BJ Cole recalls working with Walker on his country-inspired 1970s albums Stretch and We Had It All, and the Walker Brothers’ No Regrets.

Walker’s musical director Mark Warman speaks to percussionist Alasdair Malloy about Walker’s meticulous preparations, performing Walker’s music live, and punching pork,

The composer, bandleader and trumpeter speaks to producer Peter Walsh about Walker’s Royal Opera House commission, Duet For One Voice, and their work together on Bish Bosch and Soused.

After working on Tricky’s Maxinquaye, guitarist James Stevenson worked on Scott Walker’s Tilt, The Drift and Bish Bosch. He discusses Walker’s approach to sound, tuning Fender basses in semitones, and more with producer Peter Walsh.

Producer Peter Walsh in conversation with guitarist Hugh Burns, performer on Jack Bruce’s How’s Tricks album, Gerry Rafferty’s Baker Street and George Michael’s Careless Whisper, on working with Walker from 1995, and discovering his unique approach to the studio.

Gascoigne remembers Walker's curious ear, and love of "the contrast of opposites" on Climate Of Hunter, Tilt and The Drift

Walker’s musical director Mark Warman talks to Michael Laird about playing the kudu, the antelope horn used as a shofar in Jewish ritual ceremonies, on SDSS1416+13B (Zercon, A Flagpole Sitter).

Working on Drifting and Tilting and the score for The Childhood of a Leader, cellist Frank Schaefer remembers working with Scott Walker, with musical director Mark Warman.

Leading the orchestra on the scores for Childhood of A Leader and Vox Lux, and working on Drift and Bish Bosch, Paul Willey speaks to Mark Warman about Walker’s unique style and vision.

A performer on Tilt, And Who Shall Go to the Ball? And What Shall Go to the Ball? and Soused, flautist and saxophonist Andy Findon talks to musical director Mark Warman about improvisation, and Walker’s unique working practices.

Saxophonist Pete Long speaks to Mark Warman about Walker’s love of lower-hertz sounds and music as a zone that you enter.